MOVIE OF THE MONTH

It’s hard to pinpoint why Nashville is such a masterpiece. It’s not the most emotionally-moving film or the most laugh-out-loud film or the most politically incisive film (though it is certainly touching and humorous and insightful). Perhaps the reason it’s a masterpiece is that it’s perfect at what it sets out to achieve: an entertaining window into the country music world of Nashville, told through the lives of 24 main characters, each with a rich, memorable personality and a story of their own. 

The 24 characters are all connected to the country and gospel music industry in some form, whether they are managers, superstars, or wannabes. These characters are shown dealing with various interpersonal dramas as they prepare to perform at an outdoor political rally at Nashville’s iconic Parthenon building for a populist, third-party presidential candidate named Hal Phillip Walker. Every moment in this nearly three-hour film is filled with either amusing conversation or addictively fun music. There is never a dull moment.

Altman’s Nashville has a rich sense of place. The film’s namesake city is depicted as a microcosm of America in general (albeit with a southern drawl): it’s politically-divided, obsessed with entertainment and celebrity, ruthlessly capitalistic, and nevertheless has lots to love. It’s full of music and charm and opportunity. This was true in 1975 and it’s true a half-century later. For America’s 250th anniversary, there is no better choice to celebrate the United States in all its complexity than Nashville.

- AJ